DH2015 - Expo

Permanent URI for this collection

https://diglib.eg.org/handle/10.2312/14461

Section 1 - Interpreting our Past

The Mayan city of Calakmul - Interactive Showcases

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Rocio Ruiz-Rodarte

Korean Traditional Architectures Simulations

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Jongwook Lee, Jihyung Lee, Jae Woo Kim, Kyung-Kyu Kang and Man Hee Lee

Interactive 3D Application for the multimedia valorization of the restoration process of the Fountain of the Lions of the Alhambra based on 3D laser scanner registration

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Pedro Cano, Manuel Garcìa, Juan Carlos Torres, Francisco Lamolda, Silvia Perez

Section 2 - Preserving and Disseminating Heritage in Danger

Intangible Treasures - Capturing the Intangible Cultural Heritage and Learning the Rare Know-How of Living Human Treasures

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Nikos Grammalidis and Kosmas Dimitropoulos

Serbia 1914

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Jana Rodic and Marko Todorovic

The Wall of Knowledge

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Fathi Saleh, Mohammad Nabil and Nessma Sameer

Section 3 - Finding the Way into the Past

Interactive Showcase and Museum Guide System using Bluetooth Low Energy Beacons

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Davide Pantile, Matteo Ventrella and Antonio Mazzeo

meSch: Implementing the Internet of Things for Cultural Heritage

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Daniela Petrelli, Mark T. Marshall, Elena Not, Massimo Zancanaro, Dario Cavada, Adriano Venturini, Thomas Kubitza and Martin Risseeuw

Section 4 - Acquiring and Reproducing Heritage

A Proposal for A Digital and Physical Installation of Techno-Scientific-Art Research: Open Access Antiquarianism at the Digital Heritage Expo 2015

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Ashley Richter, Mike Hess and Vid Petrovic

CultLab3D - Fast and Economic 3D Mass-Digitization

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Pedro Santos, Martin Ritz, Reimar Tausch, Hendrik Schmedt, Rafael Monroy Rodriguez, Constanze Fuhrmann, Matevz Domajnko, Martin Knuth and Dieter Fellner

Virtex

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Daniel Pletinckx

ARIS - A Robotic Approach to Digitization of Indoor and Underground Cultural Heritage Sites

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Daniele Calisi, Francesca Giannone, Claudia Ventura, Paolo Salonia, Fabio Cottefoglie and Vittorio Amos Ziparo

Section 5 - Experiencing the Past

Tiber Valley Virtual Museum

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Eva Pietroni, Massimiliano Forlani, Claudio Rufa, Daniele Ferdani, Augusto Palombini, Alfonsina Pagano

AiRome

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Bruno Fanini and Enzo D'Annibale

DEFEND THE WALLS! SERIOUS GAME for the valorisation of the walls of the ancient city of Paestum

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Claudio Rufa, Massimiliano Forlani, Eva Pietroni, Francesco Antinucci and Leonardo Rescic

Papermint (A Minty Toons World)

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Lev Ledit, Martin Porocnik, Claudia Kogler, Barbara Lippe and Magdalena Novak

Etruscan Virtual Experience

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Antonella Guidazzoli, Maria Chiara Liguori, Daniele De Luca, Silvano Imboden, Giovanni Bellavia, Luigi Verri, Alessandro Rivalta and Simona Caraceni

Section 6 - Immersion in the Past

KIVI: Bring virtual reality to online 3D objects databases

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Violette Abergel, Renato Saleri, Hervé Lequay and Livio De Luca

The Labyrinthe of Versailles from 3D desktop to the Oculus Rift

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Copper Giloth and Jonathan Tanant

Living the Oppidum Vivir en el Opida

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Magoga Piñas Azpitarte, Cesar San bruno, Luis de la Barrera Montenegro, Alberto Martinez, Jorge Alcala Zamora, Santiago Alfaro Ballesteros, Victor Manuel Egea, Paula Lupiañez Lopez, Sopa de Sobre

Section 7 - Digital Libraries

Smartphone-based Remote 3D Interaction for Digital Heritage Applications

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Alejandro Rodríguez Aguilera and Alejandro León

Marco Cappellini Uffizi

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Paolo de Rocco, Marco Cappellini, Paolo Romoli

Section 8 - Video

V-MusT Competence Centre

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Daniel Pletinckx, Dries Nollet and Carlotta Capurro

What communication for museums? Experiences and reflections within the project for the Museo Egizio in Turin

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Francesco Gabellone, Ivan Ferrari, Francesco Giuri and Maria Chiffi

Etruscan Virtual Experience video

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Antonella Guidazzoli, Maria Chiara Liguori, Daniele De Luca, Silvano Imboden, Giovanni Bellavia, Luigi Verri, Alessandro Rivalta, Simona Caraceni

3D movie of the house of Caecilius Iucundus in Pompeii

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Stefan Lindgren, Daniele Ferdani, Anne-Marie Leander Touati and Emanuel Demetrescu

Animating History - Animation Styles and Techniques of the Audiovisuals for the National Archeological Museum

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El Ranchito, Sopa de Sobre, Museo Arqueologico National

Development of Virtual Environments for the Museum Communication

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Francesco Gabellone, Ivan Ferrari and Maria Teresa Giannotta

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Now showing 1 - 28 of 28

Korean Traditional Architectures Simulations
(IEEE, 2015) Lee, Jongwook; Lee, Jihyung; Kim, Jae Woo; Kang, Kyung-Kyu; Lee, Man Hee; Sofia Pescarin and Pedro Cano and Alfredo Grande
The Digital Heritage Simulation Technology allows to reconstruct digital heritage buildings and appurtenances using geometric modeling, dynamic simulation, computer animation and computeraided design technologies.
The Mayan city of Calakmul - Interactive Showcases
(IEEE, 2015) Ruiz-Rodarte, Rocio; Sofia Pescarin and Pedro Cano and Alfredo Grande
The Interactive Kiosk is part of a large project of virtual recreation made from the findings of the archaeological site of Calakmul, a Mayan city which existed between 800 BC to 900 AD, in Mexico's Yucatan Peninsula.
meSch: Implementing the Internet of Things for Cultural Heritage
(IEEE, 2015) Petrelli, Daniela; Marshall, Mark T.; Not, Elena; Zancanaro, Massimo; Cavada, Dario; Venturini, Adriano; Kubitza, Thomas; Risseeuw, Martin; Sofia Pescarin and Pedro Cano and Alfredo Grande
MeSch bridges the gap between visitors' cultural heritage experience onsite and online by providing a platform for the creation of tangible smart exhibits, that enables heritage professionals to compose and realise physical artifacts enriched by digital content without the need for specialised technical knowledge.
Interactive Showcase and Museum Guide System using Bluetooth Low Energy Beacons
(IEEE, 2015) Pantile, Davide; Ventrella, Matteo; Mazzeo, Antonio; Sofia Pescarin and Pedro Cano and Alfredo Grande
The Interactive Showcase and the Museum Guide System are two technologies designed and produced by ETT using Bluetooth Low Energy Beacons. These innovoative porduts allow technology to be integrated into the heritage sector in a more effective and engaging way.
Intangible Treasures - Capturing the Intangible Cultural Heritage and Learning the Rare Know-How of Living Human Treasures
(IEEE, 2015) Grammalidis, Nikos; Dimitropoulos, Kosmas; Sofia Pescarin and Pedro Cano and Alfredo Grande
i-Treasures project, included into EU FP7, aims at building a public and expandable platform to enable learning and transmission of rare know-how of Intangible Cultural Heritage (ICH) in order to prevent them from extinction.I-Treasure aims to provide a tool that will allow their transmission to new people. The proposed platform combines lots of different technologies like multisensory technology, singing voice synthesis and sensorimotor learning to leave the beaten path in education and ICH knowledge transmission. In i-Treasures project, there are four main ICH cases: rare traditional songs; rare dance interactions; traditional craftsmanship focusing on the art of pottery making, and finally contemporary music composition based on Beethoven, Haydn and Mozart musical pieces.
ARIS - A Robotic Approach to Digitization of Indoor and Underground Cultural Heritage Sites
(IEEE, 2015) Calisi, Daniele; Giannone, Francesca; Ventura, Claudia; Salonia, Paolo; Cottefoglie, Fabio; Ziparo, Vittorio Amos; Sofia Pescarin and Pedro Cano and Alfredo Grande
A robot to digitize indoor and underground cultural heritage sites: a novel approach for acquiring and managing digital models of archaeological sites. Three technologies will be presented for this occasion: a robotic system for digitization of archaeological sites (DigiRo), a cloud-based archaeological information system (ARIS), and an immersive virtual reality apps for virtually visiting the digitized sites.
A Proposal for A Digital and Physical Installation of Techno-Scientific-Art Research: Open Access Antiquarianism at the Digital Heritage Expo 2015
(IEEE, 2015) Richter, Ashley; Hess, Mike; Petrovic, Vid; Sofia Pescarin and Pedro Cano and Alfredo Grande
Open Access Antiquarianism is a collaboration between archaeologists, artists, computer scientists, and structural engineers to creatively push the boundaries at the intersection of art and technology to evaluate, engage, and preserve the Past, while simultaneously building and refining the technology of the future so that it can be used to make the Past accessible to the Present, and therefore part of the future social sphere.
Interactive 3D Application for the multimedia valorization of the restoration process of the Fountain of the Lions of the Alhambra based on 3D laser scanner registration
(IEEE, 2015) Cano, Pedro; Garcìa, Manuel; Torres, Juan Carlos; Lamolda, Francisco; Perez, Silvia; Sofia Pescarin and Pedro Cano and Alfredo Grande
In the intervention for the restoration of the Fountain of the Lions, the Council of the Alhambra and Generalife developed an application using all available techniques for its graphic documentation, employing a multiplicity of processes that complement each other and allow to obtain a full registration of all works performed.
CultLab3D - Fast and Economic 3D Mass-Digitization
(IEEE, 2015) Santos, Pedro; Ritz, Martin; Tausch, Reimar; Schmedt, Hendrik; Rodriguez, Rafael Monroy; Fuhrmann, Constanze; Domajnko, Matevz; Knuth, Martin; Fellner, Dieter W.; Sofia Pescarin and Pedro Cano and Alfredo Grande
CultLab3D, the world-wide first attempt at 3D mass digitization, implements a multi-modular scanning pipeline connecting individual scanners by conveyor belts and transporting cultural heritage artefacts on corresponding trays.
Serbia 1914
(IEEE, 2015) Rodic, Jana; Todorovic, Marko; Sofia Pescarin and Pedro Cano and Alfredo Grande
Serbia 1914 is a contemporary museum project dedicated to the FWW centenary. The exhibition at Historical Museum of Serbia, organized by Historical Museum of Serbia and Military Museum under the patronage of Ministry of Culture aims at offering a refreshing museum experience, turning an ordinary museum visit into a personal, interactive storytelling experience. Within this project, LiveViewStudio developed a sort of cross-media experience, bringing together mobile, web and traditional museum communication.
The Wall of Knowledge
(IEEE, 2015) Saleh, Fathi; Nabil, Mohammad; Sameer, Nessma; Sofia Pescarin and Pedro Cano and Alfredo Grande
The Wall of Knowledge is a new Virtual Museum installation that was developed by CULTNAT (Center for Documentation of Cultural and Natural Heritage) in 2014.
Virtex
(IEEE, 2015) Pletinckx, Daniel; Sofia Pescarin and Pedro Cano and Alfredo Grande
Virtex represents a new approach to tell the story of a cultural heritage object through a tangible interface. It uses a replica of a museum object or monument, in which a number of interactive areas can be activated by integrated sensors, that triggers a story about the object.
Tiber Valley Virtual Museum
(IEEE, 2015) Pietroni, Eva; Forlani, Massimiliano; Rufa, Claudio; Ferdani, Daniele; Palombini, Augusto; Pagano, Alfonsina; Sofia Pescarin and Pedro Cano and Alfredo Grande
The Virtual Museum of the Tiber Valley has been conceived in order to increment and disseminate the knowledge, the interest and the affection towards the territory north of Rome.
3D movie of the house of Caecilius Iucundus in Pompeii
(IEEE, 2015) Lindgren, Stefan; Ferdani, Daniele; Touati, Anne-Marie Leander; Demetrescu, Emanuel; Sofia Pescarin and Pedro Cano and Alfredo Grande
The computer graphic movie about the House of Caecilius Iucundus was produced for the exhibition Pompeji, held at the Millesgården, Stockholm, form sept. 2014 to may 2015. The exhibition invited to experience Pompeian domestic space by means of a scenography partly reconstructing the House of Cacilius Iucundus, by means of original objects, small finds and wall decorations, found in his house, and by means of the overall visualization offered by the movie.
Etruscan Virtual Experience
(IEEE, 2015) Guidazzoli, Antonella; Liguori, Maria Chiara; Luca, Daniele De; Imboden, Silvano; Bellavia, Giovanni; Verri, Luigi; Rivalta, Alessandro; Caraceni, Simona; Sofia Pescarin and Pedro Cano and Alfredo Grande
Recently the Etruscans have gained increasing visibility thanks to various events and initiatives. Cineca Visual Information Techonology laboratory (VisitLab) is active in this effort by developing installations, CG movies and other ICT applications aimed at further raising public awareness of the Etruscan civilisation.
Marco Cappellini Uffizi
(IEEE, 2015) Rocco, Paolo de; Cappellini, Marco; Romoli, Paolo; Sofia Pescarin and Pedro Cano and Alfredo Grande
Uffizi Touch Cloud is a cloud service that can be accessed through an interactive whiteboard at schools or at other educational institutions.
KIVI: Bring virtual reality to online 3D objects databases
(IEEE, 2015) Abergel, Violette; Saleri, Renato; Lequay, Hervé; Luca, Livio De; Sofia Pescarin and Pedro Cano and Alfredo Grande
KIVI system is a prototype designed by the CNRS (Marseille ,France) in order to provide an immersive visualization of highly valuable cultural heritage 3D models from the database, using a mobile phone and an headset.
Living the Oppidum Vivir en el Opida
(IEEE, 2015) Azpitarte, Magoga Piñas; bruno, Cesar San; Montenegro, Luis de la Barrera; Martinez, Alberto; Zamora, Jorge Alcala; Ballesteros, Santiago Alfaro; Egea, Victor Manuel; Lopez, Paula Lupiañez; Sobre, Sopa de; Sofia Pescarin and Pedro Cano and Alfredo Grande
A computer applications that adapts graphics contents of the Spanish National Museum of Archeology to the Samsung virtual reality system, the Gear Vr provide you an innovative and different vision of our history,thanks to the virtual reality device and a motion controller (Pad) the visitor will be able to feel the experience of freely moving around Oppida, in the second century a.c, to know in first person how was the life in Spain at that time.
AiRome
(IEEE, 2015) Fanini, Bruno; D'Annibale, Enzo; Sofia Pescarin and Pedro Cano and Alfredo Grande
The AiRome installation is composed by two connected gesture-based applications that aim to create a shared experience and a collaborative gameplay among visitors.
Papermint (A Minty Toons World)
(IEEE, 2015) Ledit, Lev; Porocnik, Martin; Kogler, Claudia; Lippe, Barbara; Novak, Magdalena; Sofia Pescarin and Pedro Cano and Alfredo Grande
Papermint (A Minty Toons World) was a highly complex massive multiplayer online game (MMOG), launched in March 2007 and downloaded and played regularly by a fan community of around 20.000 users between 2007 and 2011.The online world was created entirely out of paper. ''Papermint'' integrated the highest narrative potential in his world in a way it has never been seen before in an online game.
V-MusT Competence Centre
(IEEE, 2015) Pletinckx, Daniel; Nollet, Dries; Capurro, Carlotta; Sofia Pescarin and Pedro Cano and Alfredo Grande
The experience of Virtual Museums applications developed during V-Must.net project and within the international exhibition Keys To Rome (www.keys2rome.eu).
DEFEND THE WALLS! SERIOUS GAME for the valorisation of the walls of the ancient city of Paestum
(IEEE, 2015) Rufa, Claudio; Forlani, Massimiliano; Pietroni, Eva; Antinucci, Francesco; Rescic, Leonardo; Sofia Pescarin and Pedro Cano and Alfredo Grande
Protect the walls! is a serious game that deals with the technology and tactics of siege of the IV century BC, the war machines and the strategies of attack and defense, the architectural characteristics of the towers and the city walls of Paestum (that was called Poseidonia before the Romans). It is and educational project involving the user in a multi-sensory experience. The issue is developed through a short but spectacular movie followed by a game using gesture-based interaction, suitable for a diverse audience, particularly young people.
The Labyrinthe of Versailles from 3D desktop to the Oculus Rift
(IEEE, 2015) Giloth, Copper; Tanant, Jonathan; Sofia Pescarin and Pedro Cano and Alfredo Grande
The app ''Labyrinth of Fables'' provides a virtual reality/augmented reality reconstruction of the longlost Labyrinthe of Versailles.
Smartphone-based Remote 3D Interaction for Digital Heritage Applications
(IEEE, 2015) Aguilera, Alejandro Rodríguez; León, Alejandro; Sofia Pescarin and Pedro Cano and Alfredo Grande
Nowadays, smartphones include a set of built-in sensors that provide 3D capabilities to these devices. These 3D sensing capabilities, together with the touchscreen input, a very high compute power, and its widespread use, have made the smartphone an obvious candidate to visualize and interact with 3D content. The applications here presented are a set of single-handed 3D interaction techniques for smartphones to provide an ergonomic and intuitive tool to remotely manipulate 3D content.
What communication for museums? Experiences and reflections within the project for the Museo Egizio in Turin
(IEEE, 2015) Gabellone, Francesco; Ferrari, Ivan; Giuri, Francesco; Chiffi, Maria; Sofia Pescarin and Pedro Cano and Alfredo Grande
The Egyptian Museum in Turin project aims at being a communicative concept which, through the use of technologies for three-dimensional restitution, reconstruction and computer animation, can accelerate and enhance the cognitive abilities of the visitor, as medium capable of efficiently generating processes of ''virtuous'' learning.
Etruscan Virtual Experience video
(IEEE, 2015) Guidazzoli, Antonella; Liguori, Maria Chiara; Luca, Daniele De; Imboden, Silvano; Bellavia, Giovanni; Verri, Luigi; Rivalta, Alessandro; Caraceni, Simona; Sofia Pescarin and Pedro Cano and Alfredo Grande
Recently the Etruscans have gained increasing visibility thanks to various events and initiatives. Cineca Visual Information Techonology laboratory (VisitLab) is active in this effort by developing installations, CG movies and other ICT applications aimed at further raising public awareness of the Etruscan civilisation.
Development of Virtual Environments for the Museum Communication
(IEEE, 2015) Gabellone, Francesco; Ferrari, Ivan; Giannotta, Maria Teresa; Sofia Pescarin and Pedro Cano and Alfredo Grande
Despite the large number of monumental tombs discovered over the years in Taranto, only a few among them are open to the public. In most cases the visit is precluded and the artifacts preserved inside them until the discover, have been subsequently brought into some museums whereas the monumental structures have been restored in order to prevent their collapse.
Animating History - Animation Styles and Techniques of the Audiovisuals for the National Archeological Museum
(IEEE, 2015) Ranchito, El; Sobre, Sopa de; National, Museo Arqueologico; Sofia Pescarin and Pedro Cano and Alfredo Grande
Digital techniques are very versatile and, going beyond hyper-realism, allow the creation of all types of very expressive solutions. The 19 audiovisual pieces made for the National Archeological Museum deal with various themes using different approaches but share the use of mixed animation techniques in which drawing, illustration and animation are integrated with 3D and digital composition in search of appropriate and innovative languages.

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