Visualization of Tonal Harmony for Jazz Lead Sheets
| dc.contributor.author | Bunks, Carey | en_US |
| dc.contributor.author | Weyde, Tillman | en_US |
| dc.contributor.author | Slingsby, Aidan | en_US |
| dc.contributor.author | Wood, Jo | en_US |
| dc.contributor.editor | Agus, Marco | en_US |
| dc.contributor.editor | Aigner, Wolfgang | en_US |
| dc.contributor.editor | Hoellt, Thomas | en_US |
| dc.date.accessioned | 2022-06-02T15:50:47Z | |
| dc.date.available | 2022-06-02T15:50:47Z | |
| dc.date.issued | 2022 | |
| dc.description.abstract | Jazz improvisation is the extemporaneous expression of melody, and musicians commonly base their performances on chord progressions given by lead sheets. It is standard practice to commit a progression to memory by analyzing it for common patterns. This paper presents a visualization design intended to help reduce the amount of cognitive work needed to assimilate a song's chords and harmonic patterns. It does this using color, shapes, and glyphs as visual variables to convey meaning about tonal centers, chord functions, and harmonic structure. | en_US |
| dc.description.sectionheaders | Applications | |
| dc.description.seriesinformation | EuroVis 2022 - Short Papers | |
| dc.identifier.doi | 10.2312/evs.20221102 | |
| dc.identifier.isbn | 978-3-03868-184-7 | |
| dc.identifier.pages | 109-113 | |
| dc.identifier.pages | 5 pages | |
| dc.identifier.uri | https://doi.org/10.2312/evs.20221102 | |
| dc.identifier.uri | https://diglib.eg.org:443/handle/10.2312/evs20221102 | |
| dc.publisher | The Eurographics Association | en_US |
| dc.rights | Attribution 4.0 International License | |
| dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
| dc.title | Visualization of Tonal Harmony for Jazz Lead Sheets | en_US |
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