Digitisation of Temporary Exhibitions: the Aldrovandi Case

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dc.contributor.authorBarzaghi, Sebastianen_US
dc.contributor.authorCollina, Federicaen_US
dc.contributor.authorFabbri, Francescaen_US
dc.contributor.authorGiacomini, Federicaen_US
dc.contributor.authorBordignon, Aliceen_US
dc.contributor.authorBalzani, Robertoen_US
dc.contributor.authorBitelli, Gabrieleen_US
dc.contributor.authorBonifazi, Federicaen_US
dc.contributor.authorCipriani, Lucaen_US
dc.contributor.authorColitti, Simonaen_US
dc.contributor.authorDaquino, Marilenaen_US
dc.contributor.authorFanini, Brunoen_US
dc.contributor.authorFantini, Filippoen_US
dc.contributor.authorFerdani, Danieleen_US
dc.contributor.authorFiorini, Giuliaen_US
dc.contributor.authorFormia, Elenaen_US
dc.contributor.authorForte, Annaen_US
dc.contributor.authorGirelli, Valentina Alenaen_US
dc.contributor.authorGualandi, Biancaen_US
dc.contributor.authorHeibi, Ivanen_US
dc.contributor.authorIannucci, Alessandroen_US
dc.contributor.authorFà, Rachele Manganelli delen_US
dc.contributor.authorMassari, Arcangeloen_US
dc.contributor.authorMoretti, Ariannaen_US
dc.contributor.authorPeroni, Silvioen_US
dc.contributor.authorPescarin, Sofiaen_US
dc.contributor.authorRenda, Giuliaen_US
dc.contributor.authorRonchi, Diegoen_US
dc.contributor.authorSullini, Mattiaen_US
dc.contributor.authorTini, Maria Alessandraen_US
dc.contributor.authorTomasi, Francescaen_US
dc.contributor.authorTravaglini, Lauraen_US
dc.contributor.authorVittuari, Lucaen_US
dc.contributor.editorBucciero, Albertoen_US
dc.contributor.editorFanini, Brunoen_US
dc.contributor.editorGraf, Holgeren_US
dc.contributor.editorPescarin, Sofiaen_US
dc.contributor.editorRizvic, Selmaen_US
dc.date.accessioned2023-09-02T07:44:44Z
dc.date.available2023-09-02T07:44:44Z
dc.date.issued2023
dc.description.abstractTemporary exhibitions in the cultural heritage system have become diffused. They are tools to enhance cultural heritage and to gather, in the same context, cultural goods that otherwise would never be exposed together. Their temporal limitation gives them the uniqueness of an event that will not be repeated. The exhibition ''The Other Renaissance: Ulisse Aldrovandi and the Wonders of the World'' was created to offer visitors a tour of an exceptional legacy of objects, some of which have never been exhibited before, combined with objects, works of art from several Italian museums, and digital installations that together tell the story of how the first generation of naturalists took their first steps into science as we know it today. To store this exhibition a photogrammetric and structured light scanner survey campaign was launched to acquire 3D objects. By leveraging a combination of 3D, LOD, and Semantic Web technologies, we propose to create a digital twin (intended as an aggregation of different information about real-world heritage objects) of Aldrovandi exhibitions, to create a new digital tool differentiated from the physical exhibition, but that could store all the information and objects exposed together physically.en_US
dc.description.sectionheadersPosters and Demos
dc.description.seriesinformationEurographics Workshop on Graphics and Cultural Heritage
dc.identifier.doi10.2312/gch.20231176
dc.identifier.isbn978-3-03868-217-2
dc.identifier.issn2312-6124
dc.identifier.pages181-183
dc.identifier.pages3 pages
dc.identifier.urihttps://doi.org/10.2312/gch.20231176
dc.identifier.urihttps://diglib.eg.org:443/handle/10.2312/gch20231176
dc.publisherThe Eurographics Associationen_US
dc.rightsAttribution 4.0 International License
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectCCS Concepts: Human-centered computing→User interface design, Scenario-based design, HCI theory, concepts and models
dc.subjectHuman
dc.subjectcentered computing→User interface design
dc.subjectScenario
dc.subjectbased design
dc.subjectHCI theory
dc.subjectconcepts and models
dc.titleDigitisation of Temporary Exhibitions: the Aldrovandi Caseen_US
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GCH 2023 - Eurographics Workshop on Graphics and Cultural Heritage