Arty Shapes
| dc.contributor.author | Song, Yi-Zhe | en_US |
| dc.contributor.author | Rosin, Paul L. | en_US |
| dc.contributor.author | Hall, Peter M. | en_US |
| dc.contributor.author | Collomosse, John | en_US |
| dc.contributor.editor | Douglas W. Cunningham and Victoria Interrante and Paul Brown and Jon McCormack | en_US |
| dc.date.accessioned | 2013-10-22T07:38:41Z | |
| dc.date.available | 2013-10-22T07:38:41Z | |
| dc.date.issued | 2008 | en_US |
| dc.description.abstract | This paper shows that shape simplification is a tool useful in Non-Photorealistic rendering from photographs, because it permits a level of abstraction otherwise unreachable. A variety of simple shapes (e.g. circles, triangles, squares, superellipses and so on) are optimally fitted to each region within a segmented photograph. The system automatically chooses the shape that best represents the region; the choice is made via a supervised classifier so the 'best shape' depends on the subjectivity of a user. The whole process is fully automatic, aside from the setting of two user variables to control the number of regions in a pair of segmentations - and even these can be left fixed for many images. A gallery of results shows how this work reaches towards the art of later Matisse, of Kandinsky, and other artists who favored shape simplification in their paintings. | en_US |
| dc.description.seriesinformation | Computational Aesthetics in Graphics, Visualization, and Imaging | en_US |
| dc.identifier.isbn | 978-3-905674-08-8 | en_US |
| dc.identifier.issn | 1816-0859 | en_US |
| dc.identifier.uri | https://doi.org/10.2312/COMPAESTH/COMPAESTH08/065-072 | en_US |
| dc.publisher | The Eurographics Association | en_US |
| dc.subject | Categories and Subject Descriptors (according to ACM CCS): I.3.4 [Graphics Utilities]: Paint systems | en_US |
| dc.title | Arty Shapes | en_US |
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