GCH 2021 - Eurographics Workshop on Graphics and Cultural Heritage

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https://diglib7.eg.org/handle/10.2312/2633101

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3D for Studying Reuse in 19th Century Cairo: the Case of Saint-Maurice Residence
(The Eurographics Association, 2021) Baillet, Vincent; Mora, Pascal; Cou, Corentin; Tournon-Valiente, Sarah; Volait, Mercedes; Granier, Xavier; Pacanowski, Romain; Guennebaud, Gaël; Hulusic, Vedad and Chalmers, Alan
3D restitution is now a well-known tool to validate hypotheses on historical buildings that do not exist anymore. The present project takes the method a step further in order to explore the art historical topic of ornament reuse in 19th century revival architecture, particularly in Cairo. The case study is the Saint-Maurice residence, built 1875-79, for which an extensive collection of documents in varied formats, and from multiple locations and disciplines, has been conducted. The paper presents some preliminary results on the 3D restitution, the remaining open questions and the challenges they raise.
3D Sound for Digital Cultural Heritage
(The Eurographics Association, 2021) Musanovic, Adnan; Mijatovic, Bojan; Rizvic, Selma; Hulusic, Vedad and Chalmers, Alan
Virtual Reality enables the users to experience cultural heritage. Time travel through past times is transferring us in virtual environments with 3D reconstructions of cultural monuments inhabited by historical characters. The full immersion in this different reality can be achieved only with proper spatialization of sound. In this paper we discuss the related work in 3D sound implementation for digital cultural heritage applications and compare it with our experiences.
Automatic Segmentation of Archaeological Fragments with Relief Patterns using Convolutional Neural Networks
(The Eurographics Association, 2021) Thompson, Elia Moscoso; Ranieri, Andrea; Biasotti, Silvia; Hulusic, Vedad and Chalmers, Alan
The recent commodification of high-quality 3D scanners is leading to the possibility of capturing models of archaeological finds and automatically recognizing their surface reliefs. We present our advancements in this field using Convolutional Neural Networks (CNNs) to segment and classify the region around a vertex in a robust way. The network is trained with high-resolution views of the 3D models captured at different angles. The views represent both the model with its original textures and a colorization of the patches according to the value of the Shape Index (SI) in their vertices. The SI encodes local surface variations and we exploit the colorization of the model driven by the SI to generate other view and enrich the dataset. Our method has been validated on a relief recognition benchmark on archaeological fragments proposed within the SHape REtrieval Contest (SHREC) 2018.
Bridging the Discipline Gap: Towards Improving Heritage and Computer Graphics Research Collaboration
(The Eurographics Association, 2021) Happa, Jassim; Bennett, Taylor; Gogioso, Stefano; Voiculescu, Irina; Howell, David; Crawford, Sally; Ulmschneider, Katharina; Ramsey, Christopher; Hulusic, Vedad and Chalmers, Alan
In this project we are investigating the requirements to ease interdisciplinary collaboration between computer graphics researchers and heritage-related researchers who work with shared graphics-related datasets. We postulate that most challenges can be overcome by ensuring that datasets (irrespective of discipline) are captured, processed and disseminated in ways that accommodate the needs of as many disciplines as possible - making the datasets more useful and more usable. This is not to say that a union of all discipline methodologies is required, but instead: we deem it necessary to identify what changes are feasible in existing (discipline-centric) practices to maximise the benefits, while limiting resource costs. The purpose of this paper is to begin this conversation, present our project, preliminary results and where the project will go next. We also propose the outline of an interdisciplinary, peer-reviewing framework that can be used across disciplines.
Capture, Processing and Presentation of Digital Cultural Items: Feedback from Cultural Heritage Practitioners
(The Eurographics Association, 2021) Ferraris, Christopher; Gatzidis, Christos; Davis, Tom; Hargood, Charlie; Hulusic, Vedad and Chalmers, Alan
The trend of digitizing analogue artefacts from cultural heritage collections to create cultural digital items remains ongoing. The user experience of Cultural Heritage Practitioners (CHP) should be understood in order to support academic efforts in producing practical contributions that benefit those working with cultural digital items. In this publication we follow a series of semi-structured interviews with 10 CHPs and supporting technical professionals who work with cultural digital items on a daily basis. We then code their responses for theme, analysing their thoughts and concerns regarding key topics connected to cultural digital items such as interactivity and the challenges of digitization within the culture heritage sector.
Challenges in the Digitisation of a High-reflective Artwork
(The Eurographics Association, 2021) Catalano, Chiara Eva; Brunetto, Erika; Mortara, Michela; Pizzi, Corrado; Hulusic, Vedad and Chalmers, Alan
In this paper we report about the photogrammetric acquisition and reconstruction of a contemporary artwork, performed by offthe- shelf software. The ceramic piece of art is "Il Libro d'Oro del Terzo Paradiso" ("The Golden Book of the Third Paradise") by Michelangelo Pistoletto, accessed and studied in the framework of a regional project. This artefact is particularly challenging. On the one hand, it is golden coated and, as such, highly reflective. Hence, images are likely to suffer from highlight spots, shadows or self-reflections, and the reconstructed point cloud is typically noisy. On the other hand, the object exhibits simple geometry, mainly composed of planar surfaces, and is highly symmetric; however, it possesses detail features and undercuts. The symmetric nature of the object and reflections misled the image alignment, and the noise in the data turned out to be of the same scale as the detail features. We will discuss all the steps of the process, aimed at obtaining a high quality and accurate 3D model using low-cost tools.
Direct Elastic Unrollings of Painted Pottery Surfaces from Sparse Image Sets
(The Eurographics Association, 2021) Houska, Peter; Lengauer, Stefan; Karl, Stephan; Preiner, Reinhold; Hulusic, Vedad and Chalmers, Alan
An important task in archaeological research is the comparison of painted motifs on ancient vessels and the analysis of their painting style. Ideally, the pottery objects are available as scanned 3D models, from which the painted surface can be unrolled and potential distortions minimized, so that the vase painting and its individual motifs can be directly inspected. Unfortunately, the percentage of digitally captured vessels is small compared to the large body of cataloged photographs. In this paper, we present a method that creates distortion-minimized unrollings of painted pottery surfaces directly from a small set of photographs. We achieve this by exploiting prior knowledge about the data, namely that most objects exhibit rotational symmetry and that strict guidelines were followed when capturing photographs of the ancient vases. Based on the distinctly visible object silhouettes in the photographs we are able to extract proxy geometries of the objects which we encode as per-view geometric maps. By stitching the single-view data, we obtain a combined map capturing the geometry and texture of the entire painted surface. This enables us to minimize typical projective distortions by elastic relaxation. Our pipeline works entirely in 2D image space, circumventing time-consuming 3D scans and surface reconstructions of (often inaccessible) vessels. Using a combination of CPU-based image processing and GPU-based relaxation, results are produced in only a few minutes.
Exploiting Neighboring Pixels Similarity for Effective SV-BRDF Reconstruction from Sparse MLICs
(The Eurographics Association, 2021) Pintus, Ruggero; Ahsan, Moonisa; Marton, Fabio; Gobbetti, Enrico; Hulusic, Vedad and Chalmers, Alan
We present a practical solution to create a relightable model from Multi-light Image Collections (MLICs) acquired using standard acquisition pipelines. The approach targets the difficult but very common situation in which the optical behavior of a flat, but visually and geometrically rich object, such as a painting or a bas relief, is measured using a fixed camera taking few images with a different local illumination. By exploiting information from neighboring pixels through a carefully crafted weighting and regularization scheme, we are able to efficiently infer subtle per-pixel analytical Bidirectional Reflectance Distribution Functions (BRDFs) representations from few per-pixel samples. The method is qualitatively and quantitatively evaluated on both synthetic data and real paintings in the scope of image-based relighting applications.
Fully Automatic Mechanical Scan Range Extension and Signal to Noise Optimization of a Lens-Shifted Structured Light System
(The Eurographics Association, 2021) Kutlu, Hasan; Ritz, Martin; Santos, Pedro; Fellner, Dieter W.; Hulusic, Vedad and Chalmers, Alan
Digitization of cultural heritage is of growing importance, both for its preservation for coming generations in the face of looming dangers of natural decay or intentional destruction, and current generations, that increasingly have access to virtual cultural heritage for interactive exploring or scientific analysis. These goals can only be achieved by 3D replicas at reasonable quality and resolution, to come as close as possible to the original. This brings about several challenges to overcome. The challenge of digitizing huge numbers of artefacts is addressed by CultLab3D, the first fully automatic 3D digitization system. Another challenge is the size of objects, as each digitization system is designed for a certain optimum measurement range, leaving which results in loss of quality. Due to optical and mechanical constraints, most systems are not able to faithfully reconstruct objects under a certain size limit in their full geometric detail. Historic coins are one good example, where the deterioration of the surface structure in most cases has progressed to a degree that it not even is perceptible through the fingernail. This challenge is addressed by a modular extension of CultLab3D, the MesoScanner, which is a structured light system that breaks limits in depth resolution through a mechanical lens-shifting extension, allowing physically shifting of fringe patterns on top of the well-known multi-period phase shift method. This is where this work adds two major improvements: First, the signal to noise ratio and thus reconstruction quality has been improved significantly through several algorithmic processing steps. Second, the physical limitation of the measurement range was removed using a 2D actuator steering the object mount, thus allowing for a measurement range at theoretically arbitrary size. This opens up the fully automatic handling of two scenarios: Complete digitization of objects exceeding the measurement range, and unsupervised digitization of large collections of small objects in one run.
GCH 2021: Frontmatter
(The Eurographics Association, 2021) Hulusic, Vedad; Chalmers, Alan; Hulusic, Vedad and Chalmers, Alan
Immersive Geometry-based and Image-based Exploration of Cultural Heritage Models
(The Eurographics Association, 2021) Farràs, Arnau; Comino Trinidad, Marc; Andujar, Carlos; Hulusic, Vedad and Chalmers, Alan
Recent advances in 3D acquisition technologies have facilitated the inexpensive digitization of cultural heritage. In addition to the 3D digital model, in many cases multiple photo collections are also available. These photo collections often provide valuable information not included in the 3D digital model. In this paper we describe a VR-ready web application to simultaneously explore a cultural heritage model together with arbitrary photo collections. At any time, users can define a region of interest either explicitly or implicitly, and the application retrieves, scores, groups and shows a matching subset of the photos. Users can then select a photo to project it onto the 3D model, to inspect the photo separately, or to teleport to the position the photo was taken from. Unlike previous approaches for joint 2D-3D model exploration, our interface has been specifically adapted to VR. We conducted a user study and found that the application greatly facilitates navigation and provides a fast, intuitive access to the available photos. The application supports any modern browser running on desktop, mobile and VR headset systems.
Interactive 3D Artefact Puzzles to Support Engagement Beyond the Museum Environment
(The Eurographics Association, 2021) Rodriguez Echavarria, Karina; Samaroudi, Myrsini; LLoyd, Jack; Weyrich, Tim; Hulusic, Vedad and Chalmers, Alan
The need for online 3D interactive experiences was evidenced during the COVID-19 lockdowns, as audiences across the world have been unable to visit museums, physically interact with their collections on site or digitally interact with technologies and digital media situated within such settings. As a response, this research addresses gaps identified in a review of the digital offerings from UK and US museums during the 2020 lockdowns, highlighting the limited number and nature of 3D interactive offerings provided, despite the wide efforts on 3D digitisation over the last decade. Thus, the research investigates the development and testing of an online 3D interactive activity, resembling a physical activity situated in the archaeological gallery of Brighton Museum and Art Gallery (UK). Through a pilot user survey, the research aims to understand what is the impact of such online offerings to better contextualise heritage collections; enhance cultural heritage learning and appreciation; and complement physical activities of similar nature. The analysis of audiences’' opinions about these interactions can be of great importance, as such activities have the power to enable active access to cultural heritage resources regardless of the physical location of users and transform heritage experiences in the long term. Our research indicates that, while the physical experience might offer advantages as far as it concerns the familiarity with the tactile nature of interaction, the digital counterpart has potential to allow for the experience of assembling the puzzle to achieve a wider reach.
Invisible Heritage - Analysis and Technology Digital Platform
(The Eurographics Association, 2021) Abate, Dante; Toumbas, Kyriakos; Faka, Marina; Hulusic, Vedad and Chalmers, Alan
In an era of rapid technological improvements, state-of-the-art methodologies and tools dedicated to protecting and promoting our cultural heritage should be developed and extensively employed to expand and enrich historical and archaeological research and possibly revise or add new information to established theories. The Invisible Heritage - Analysis and Technology (IH-AT) project aimed to design and develop a portal comprised of reliable and efficient technology-ready tools for the visualization, documentation, and analysis of the UNESCO listed churches in the Troodos area applying geophysics, 3D modeling techniques, and visualization methods, supported by art-historical and archaeological research. The described web framework is developed to help heritage professional, with lack or minimal programming skills, to customize online visualization of 3D interactive models.
Reconstructing Dura-Europos From Sparse Photo Collections Using Deep Contour Extraction
(The Eurographics Association, 2021) Shen, Yifei; Wang, Zeyu; Sun, Qinying; Chen, Anne; Rushmeier, Holly; Hulusic, Vedad and Chalmers, Alan
In this short paper we present work in progress on creating tools to facilitate 3D reconstruction of cultural heritage. We propose three new types of tools to make reconstruction easier - first we fetch linked open data to help organize source materials, next we extract key contours from photographs to speed up reconstruction, and finally we generate video tours of positioned photos and sketches. We also introduce a new, expanded 3D software system to support these tasks. The system is developed based on previous work on 3D sketching in the context of cultural heritage documentation, in particular CHER-ish. We demonstrate the potential of these tools by describing results obtained from the Dura-Europos data set.
Reimagining a 2D Painted Portrait as a Kinetic 3D Sculpture
(The Eurographics Association, 2021) Ellis, Ellen Conlan; Adzhiev, Valery; Hulusic, Vedad and Chalmers, Alan
This paper describes a Cultural Heritage related project concerned with developing computer technology for reimagining a 2D painted still portrait made in a distinctive fine art style as an animated 3D sculpture whilst preserving the principal features of the initial painting yet resulting in an artefact of original quality. This work explores both artistic and technological aspects of a production pipeline. The case-study to prove the concept relies on Francis Bacon's ''Study for Portrait (Michel Leiris)''. A supplementary video shows the resulting animated piece with Bacon's voice-over.
Riedones3D: a Celtic Coin Dataset for Registration and Fine-grained Clustering
(The Eurographics Association, 2021) Horache, Sofiane; Deschaud, Jean-Emmanuel; Goulette, François; Gruel, Katherine; Lejars, Thierry; Masson, Olivier; Hulusic, Vedad and Chalmers, Alan
Clustering coins with respect to their die is an important component of numismatic research and crucial for understanding the economic history of tribes (especially when literary production does not exist, in celtic culture). It is a very hard task that requires a lot of times and expertise. To cluster thousands of coins, automatic methods are becoming necessary. Nevertheless, public datasets for coin die clustering evaluation are too rare, though they are very important for the development of new methods. Therefore, we propose a new 3D dataset of 2 070 scans of coins. With this dataset, we propose two benchmarks, one for point cloud registration, essential for coin die recognition, and a benchmark of coin die clustering. We show how we automatically cluster coins to help experts, and perform a preliminary evaluation for these two tasks. The code of the baseline and the dataset will be publicly available at https://www.npm3d.fr/coins-riedones3d and https: //www.chronocarto.eu/spip.php?article84&lang=fr.
Tangible Interfaces for VR Cultural Heritage Application - School House Virtual Museum
(The Eurographics Association, 2021) Hulusic, Vedad; Gusia, Linda; Luci, Nita; Smith, Michael; Hulusic, Vedad and Chalmers, Alan
Virtual museums are an important medium for the preservation and dissemination of tangible and intangible cultural heritage as well as for education and public engagement. This is even more important now that focus is being shifted from museum exhibits to the visitors' experience and the increased attention given to their mobility, and the plurality of voices and perspectives represented. To enhance experience and participation new techniques are being developed and multiple senses stimulated. This paper offers venues to unpack the potentials of VR as a pedagogic vehicle when creative and cross-disciplinary experimentation is employed in and around digital museums. Grounded in a particular site of memory, and co-produced with a 'post-memory generation', the School House Virtual Museum is associated with private and silenced memories of past civic resistance in Kosovo. Using written and orally narrated stories, images, videos and immersion within a virtually reconstructed physical space, the experience offers a means to explore spaces, narratives, and technologies relevant to a particular cultural memory and heritage. The main aim of the user study, with 37 participants presented in this work, was to investigate the design of the system, focusing on three aspects: usability, User Experience (UX) and education, and the effect of the tangible interface provided to one user group. The results are overall very positive and confirm that the UX holds potential as a learning and education tool whether in museums, schools, or when used independently.
Towards the Formal Teaching of CG Applications in Cultural Heritage for Computer Graphics and Animation Students
(The Eurographics Association, 2021) Anderson, Eike Falk; Adzhiev, Valery; Fryazinov, Oleg; Hulusic, Vedad and Chalmers, Alan
The rapid technological advances in computing and computer graphics of the past three decades have in turn fueled the proliferation of the use of these technologies for Cultural Heritage. Formal educational courses for the application of computer graphics to Cultural Heritage are few and far between, and the courses that do exist tend to be targeted at archaeology students, with hardly any courses catering to computing or computer graphics students. To address this gap in education provision, we introduce a final year undergraduate course on ''CG and Animation for Cultural Heritage'', which provides students on technical and art & design computer graphics and animation courses with a broad introduction to the creation of Cultural Heritage applications of CG and animation techniques more commonly found in digital entertainment and visual effects. In this paper we describe this course and its curriculum and discuss its outcomes.
Triggering the Past: Cultural Heritage Interpretation Using Augmented and Virtual Reality at a Living History Museum
(The Eurographics Association, 2021) Shitut, Kunal; Geigel, Joe; Decker, Juilee; Jacobs, Gary; Doherty, Amanda; Hulusic, Vedad and Chalmers, Alan
In this paper, we present a use case for the introduction of historical digital characters in the context of a living history museum. We describe a prototype system and framework that enables the use of augmented and virtual reality for placing a these characters in the museum space. The system uses a conversational interface for natural interaction, supports the scanning of objects in the museum space for guiding the conversation, and provides a common user experience on a variety of mixed reality devices including the Microsoft Hololens, mobile devices, and WebXR enabled Web browsers. We describe our character creation workflow, provide technical details on the implementation and discuss the user testing of the system. Findings from our testing suggest, that despite the analog, hands-on tradition of living history museums, the use of immersive technologies has the potential to greatly enhance the visitor experience while engaging users within the physical space of the museum.
Virtual Dance Museum: the Case of Greek/Cypriot Folk Dancing
(The Eurographics Association, 2021) Aristidou, Andreas; Andreou, Nefeli; Charalambous, Loukas; Yiannakidis, Anastasios; Chrysanthou, Yiorgos; Hulusic, Vedad and Chalmers, Alan
In this paper, we have designed and developed a virtual dance museum to provide the technological tools that allow for widely educating the public, most specifically the youngest generations, about the story, costumes, music, and history of our dances. The holistic documentation of our intangible cultural heritage creations is a critical necessity for the preservation and the continuity of our identity as Europeans. In that direction, we have employed a specially designed relational database schema that holistically structures the information within the database, and is ideal for archiving, presenting, further analyzing, and re-using dance motion data. Data have been retargeted to a virtual character, dressed with traditional uniform and simulated to achieve realism. The users can view and interact with the archived data using advanced 3D character visualization in three ways: via an online 3D virtual environment; in virtual reality using headset; and in augmented reality, where the 3D characters can co-inhabit the real world. Our museum is publicly accessible, and also enables motion data reusability, facilitating dance learning applications through gamification.

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