JVRC09: Joint Virtual Reality Conference of EGVE - ICAT - EuroVR

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https://diglib.eg.org/handle/10.2312/368

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Designing 3D Selection Techniques Using Ballistic and Corrective Movements
(The Eurographics Association, 2009) Liu, Lei; Liere, Robert van; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
The two-component model is a human movement model in which an aimed movement is broken into a voluntary ballistic movement followed by a corrective movement. Recently, experimental evidence has shown that 3D aimed movements in virtual environments can be modeled using the two-component model. In this paper, we use the two-component model for designing 3D interaction techniques which aim at facilitating pointing tasks in virtual reality. This is achieved by parsing the 3D aimed movement in real time into the ballistic and corrective phases, and reducing the index of difficulty of the task during the corrective phase. We implemented two pointing techniques. The 'AutoWidth' technique increases the target width during the corrective phase and the 'AutoDistance' technique decreases the distance to the target at the end of ballistic phase. We experimentally demonstrated the benefit of these techniques by comparing them with freehand aimed movements. It was shown that both 'AutoWidth' and 'AutoDistance' techniques exhibit significant improvement on target acquisition time.
Olfactory Display: Fluid Dynamic Considerations for Realistic Odor Presentation
(The Eurographics Association, 2009) Matsukura, Haruka; Ishida, Hiroshi; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
This paper describes some fluid dynamic considerations for attaining realistic odor presentation using an olfactory display. Molecular diffusion is an extremely slow process and, therefore, odor molecules released from their source are spread by being carried off by airflow. Since the flow we encounter is almost always turbulent, the intensities of the odors delivered from their sources to our noses fluctuate randomly over time. Experimental results are presented to show the random fluctuations of odor intensity alleviate olfactory adaptation. When the odor vapor generation from an olfactory display device is randomly modulated, the odor is felt more persistently over time than in the case of the constant release of the odor vapor. The results of computational fluid dynamics simulations are also presented to show that our body temperature affects reception of odor vapors at our noses. Convective air currents in the upward direction are generated by our body temperature. They bring the odor vapor drifting along the floor up to our noses. Without the body temperature, such odor might not be detected. The detailed fluid dynamic considerations thus enable reproduction of realistic odor stimuli that we encounter in real-life scenarios.
The Effects of Teleportation on Recollection of the Structure of a Virtual World
(The Eurographics Association, 2009) Cliburn, Daniel; Rilea, Stacy; Parsons, David; Surya, Prakash; Semler, Jessica; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
Teleportation is a virtual world navigation technique that allows users to travel at an infinite velocity from one lo-cation to another. Unfortunately, teleportation is known to cause disorientation in many users. This paper reports on an experiment designed to explore the relationship between teleportation and recollection of the structure of a virtual world when users are provided with a map navigation aid. Thirty-six subjects were divided into two groups (teleportation and free roam) and asked to collect objects in a virtual world. The results of the study showed that subjects who navigated with teleportation completed the task significantly faster than those who free roamed, with no difference between groups in the number of errors. However, when the map was removed, subjects who previ-ously teleported committed significantly more errors and took longer than those in the free roam group. There were no differences between groups on either of the post trial map drawing or map labeling exercises.
Echocardiogram Simulator based on Computer-Simulated Heart
(The Eurographics Association, 2009) Hirota, Koichi; Okada, J.; Washio, T.; Hisada, T.; Sugiura, S.; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
In this paper, we report our approaches to implementing an echocardiography simulator for medical training. The simulator provides experience of diagnosis by echocardiography using normal and endoscope probes; the user interface of the simulator consists of a mannequin and dummy probes that provide a feeling of actual diagnostic operation to the user. The simulator is also equipped with functions that are similar to those of real instruments such as diagnostic view modes and color Doppler imaging. Preliminary evaluation by experiment at a clinic of our university hospital suggested that the simulator is promising for use in practical training.
Influence of Orientation Offset between Control and Display Space on User Performance during the Rotation of 3D Objects
(The Eurographics Association, 2009) Dang, Nguyen-Thong; Pergandi, Jean-Marie; Crison, Franck; Ardouin, Jérôme; Mestre, Daniel; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
This paper presents an exploratory investigation of the influence of orientation offset between control and display space on user performance in three-dimensional rotation tasks. A target-matching task was chosen as an experi-mental task; participants had to rotate an object (using an input device with 3 degree-of-freedom (DOF) in rota-tion) so that it matched the target, which was an object identical to the controlled object. Orientation of the con-trolled object was offset relative to the target's orientation by 30, 60, 90, 120, 150, 180, 210, 240, 270, 300, 330 degrees. Those offsets were separately applied to each of the 3 axes of the target (vertical (X), horizontal (Y) and depth (Z) axes). Completion time and time series of orientation of the input device were collected. Results show strong effects of high values of offset (from 90° to 150° and from 210° to 270°) on user performance and user be-haviour. In addition, there was a difference in user performance and behaviour between orientation offsets on the Z-axis and those on the two other axes, apparently due to the form of the input device that was used. The findings from this investigation may contribute to the design of 3D input devices (with regard to issues on physical form-factors and on supports for rotation in particular) and that of techniques for the manipulation of 3D objects.
Markerless Visual Tracking for Augmented Books
(The Eurographics Association, 2009) Cho, Kyusung; Yoo, Jaesang; Yang, Hyun S.; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
An augmented book is an application that augments such multimedia elements as virtual 3D objects, movie clips, or sound clips to a real book using AR technologies. It is intended to bring additional education effects or amusement to users. For augmented books, this paper presents a markerless visual tracking method which recognizes the current page among numerous pages and estimates its 6 DOF pose in real-time. Given an input image by a camera, the tracking method first recognizes a page and performs wide-baseline keypoint matching at the same time. For that purpose,a generic randomized forest (GRF) is proposed which extends the randomized forest (RF) proposed by Lepetit et al. which only performs wide-baseline keypoint matching. The proposed GRF is capable of simultaneous page recognition and wide-baseline keypoint matching. Once a page is recognized, the tracking method executes the page tracking process without page recognition until the page is turned. The page tracking process selects a keyframe of the page adequate for tracking and employs a coarse-to-fine approach. As a result, the tracking method shows robustness to viewpoint and illumination variations and performance of more than 30 fps for augmented books.
Basic Characteristics of Shear Tactile Stimulus Generated by Rotating Contactors
(The Eurographics Association, 2009) Yamaguchi, Tomoyuki; Ikei, Yasushi; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
This paper describes the characteristics of haptic sensation that is evoked at the finger skin by a shearing stimulus presented using rotational contactors. First, the relation among the contact area, the contact force and the diameter of contactors was investigated. The tactile sensation scaling of the tangential force was performed regarding the speed, the direction of rotation and the size of the contactor. In addition, the sensitivity difference was investigated in terms of the sites on a fingertip where the contact-shaft stimulation was added. Moreover, the interference between two tangential force stimulations provided by a pair of contactors with a 3-mm interval was investigated.
Multi-scale Manipulation in Indoor Scenes with theWorld in Miniature Metaphor
(The Eurographics Association, 2009) Trueba, Ramon; Andujar, Carlos; Argelaguet, Ferran; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
The World in Miniature Metaphor (WIM) allows users to select, manipulate and navigate efficiently in virtual environments. In addition to the first-person perspective offered by typical VR applications, the WIM offers a second dynamic viewpoint through a hand-held miniature copy of the environment. In this paper we explore different strategies to allow the user to interact with the miniature replica at multiple levels of scale. Unlike competing approaches, we support complex indoor environments by explicitly handling occlusion. We discuss algorithms for selecting the part of the scene to be included in the replica, and for providing a clear view of the region of interest. Key elements of our approach include an algorithm to recompute the active region from a subdivision of the scene into cells, and a view-dependent algorithm to cull-away occluding geometry through a small set of slicing planes roughly oriented along the main occluding surfaces. We present the results of a user-study showing that our technique clearly outperforms competing approaches on spatial tasks performed in densely-occluded scenes.
Role of Force-cues in Path Following of 3D Trajectories in Virtual Reality
(The Eurographics Association, 2009) Bluteau, Jeremy; Gentaz, Edouard; Payan, Yohan; Coquillart, Sabine; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
This paper examines the effect of adding haptic force cues (simulated inertia, compensation of gravity) during 3D-path following in large immersive virtual reality environments. Thirty-four participants were asked to follow a 3D ring-on-wire trajectory. The experiment consisted of one pre-test/control bloc of twelve trials with no haptic feedback; followed by three randomized blocs of twelve trials, where force feedbacks differed. Two levels of inertia were proposed and one level compensating the effect of gravity (No-gravity). In all blocks, participants received a real time visual warning feedback (color change), related to their spatial performance. Contrariwise to several psychophysics studies, haptic force cues did not significantly change the task performance in terms of time completion or spatial distance error. The participants however significantly reduced the time passed in the visual warning zone in the presence of haptic cues. Taken together, these results are discussed from a psychophysics and multi-sensory integration point of view.
Desktop Integration in Graphics Environments
(The Eurographics Association, 2009) Ullrich, Torsten; Settgast, Volker; Ofenböck, Christian; Fellner, Dieter W.; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
In this paper, we present the usage of the Remote Desktop Protocol to integrate arbitrary, legacy applications in various environments. This approach accesses a desktop on a real computer or within a virtual machine. The result is not one image of the whole desktop, but a sequence of images of all desktop components (windows, dialogs, etc.). These components are rendered into textures and fed into a rendering framework (OpenSG). There the functional hierarchy is represented by a scene graph. In this way the desktop components can be rearranged freely and painted according to circumstances of the graphical environment supporting a wide range of display settings - from immersive environments via high-resolution tiled displays to mobile devices.
Collaborative Interaction in Co-Located Two-User Scenarios
(The Eurographics Association, 2009) Salzmann, Holger; Jacobs, Jan; Froehlich, Bernd; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
We investigated the utility of co-located collaborative interaction metaphors for assembly tasks in the automotive industry. In a first expert review, we compared the usability of a regular single-user stereoscopic system to a twouser system. Our experiments revealed that the two-user system greatly facilitates basic collaborative interactions, when users are standing next to each other. However, it is unsuitable for scenarios wherein users are facing each other and more sophisticated collaborative interactions are required. Our second study focused on these types of collaborative assembly tasks using head mounted displays instead of our projection-based setup. In a virtual assembly task, two workers had to mount the windshield of a car by using two different interaction methods. The first method employed tangible props and the other method relied solely on virtual interaction. Our evaluation shows that the multi-user prop-based interaction results in significantly higher accuracy and was clearly preferred by our users. These results are an important step towards the acceptance of such virtual techniques for reliable ergonomic evaluations of virtual assembly tasks.
The 3D Sketch Slice: Precise 3D Volume Annotations in Virtual Environments
(The Eurographics Association, 2009) Schild, Jonas; Holtkämper, Thorsten; Bogen, Manfred; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
In the oil and gas application domain, there is a need for 3D volume annotations to sketch out uncertainty regions in seismic data sets. Together with geo-science experts, we identified actual requirements for efficient annotations of volumetric areas. As a result, we introduce the 3D Sketch Slice, a novel system for volumetric annotations. Based on a 3D-tracked pen tablet, the 3D Sketch Slice works as a prop for a subsurface volume slice. Using pen input, a user can precisely sketch 3D points on a 2D volume slice while directly controlling the 3D position and orientation of that slice within a seismic volume. The points selected define 3D sketches through 3D alpha shape representations. Furthermore, we define clutching and mapping functions and we present a novel visual feedback method for multi-user annotations. Finally, we performed an informal evaluation with expert users. Despite some ergonomic concerns, they confirmed an increase in perceived precision. In general, the requirements identified had been met and it was proposed to apply the 3D Sketch Slice methodology to other scenarios.
Scent Presentation Expressing Two Smells of Different Intensity Simultaneously
(The Eurographics Association, 2009) Noguchi, Daisuke; Ohtsu, Kaori; Bannai, Yuichi; Okada, Kenichi; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
Studies aiming at increasing the sense of reality by using scents with the picture medium, such as movies, have lately attracted much attention. In the picture medium, multiple objects with different scents are seen at the same time. Therefore, it is thought that by controlling the presentation of scent in accordance with the various scented objects seen, the viewer will experience a greater sense of realism. This realism will be further heightened by expressing through scent the distance relation between the multiple objects, that is, stronger scent for objects in the foreground and weaker scent for those in the background. However, this requires a technique that can not only present multiple scents which must be perceived simultaneously, but also express a distance relation between them. In this study, by using pulse ejection which emits scents for only very short periods of time and by measuring the olfactory characteristics for various scent presentation patterns by changing the relative amount and presentation frequency of the two scents, we succeeded in enabling around 90 percent of users to sense the distance relation between two scents. The proposed method for presenting scent depicting multiple objects shown simultaneously in the picture medium is expected to further enhance the sense of reality.
Opportunistic Music
(The Eurographics Association, 2009) Hachet, Martin; Kian, Arash; Berthaut, Florent; Franco, Jean-Sébastien; Desainte-Catherine, Myriam; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
While mixed reality has inspired the development of many new musical instruments, few approaches explore the potential of mobile setups. We present a new musical interaction concept, called opportunistic music. It allows musicians to recreate a hardware musical controller using any objects of their immediate environment. This approach benefits from the physical attributes of real objects for controlling music. Our prototype is based on a stereo-vision tracking system associated with FSR sensors. It allows musicians to define and to interact with opportunistic tangible widgets. Linking these widgets with sound processes allows the interactive creation of musical pieces, where musicians get inspiration from the surrounding environment.
Tree-shaded screen: A Propeller type screen for Public Art
(The Eurographics Association, 2009) Kunihiro, Nishimura; Suzuki, Yasuhiro; Tokuda, Yutaka; Iida, Tomohiro; Kajinami, Takashi; Tanikawa, Tomohiro; Hirose, Michitaka; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
Tree-shaded screen is a novel artwork for the public space. One can also think of it as a novel virtual reality system. The artwork consists of a surround couch, a column, and a propeller with six blades. When we sit down on the couch, we can see the propeller above. A high reflective screen material on the propeller's blades brightly reflects the images that are projected by two projectors. The display uses human's afterimages to form a complete continuous display. This artwork is like a short resting place for people, a metaphor for a mother tree that shades many creatures in nature. This artwork was designed for an installation in the Haneda airport, which is the biggest airport in Japan. We use birds as a metaphor of airplanes. Birds' behavior animation is projected on the propellers. The birds behavior is synchronized with a flight timetable of the Haneda airport. The couch looks like a bird's nest made from a new material. We exhibited the tree-shaded screen at an open-campus and evaluated it. We will exhibit this artwork in the Haneda airpot in October 2009.
A Modular Framework for Distributed VR Interaction Processing
(The Eurographics Association, 2009) Assenmacher, Ingo; Raffin, Bruno; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
Interactions are a key part of Virtual Reality systems and can lead to complex software assembly for multi-modal and multi-site collaborative environments. This is even harder, when each participant is interacting in the same virtual world by very different hardware and software capabilities. This paper outlines a software architecture and interaction processing framework developed to couple different sites in a collaborative set-up using a data-flow oriented approach. We show how we transform the site-specific capabilities to a common interface. This is used for application state processing based on a distributed actor and property model.
Characteristics of Perception of Stiffness by Varied Tapping Velocity and Penetration in Using Event-Based Haptic
(The Eurographics Association, 2009) Ikeda, Yuto; Hasegawa, Shoichi; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
There are many works that uses event-based haptic to improve realism. We intend to investigate how the hardness presentation improves using event-based haptic, and how the perception of stiffness varies through presented vibrations. In this short paper, we report about an experiment on point of subjective equality of stiffness. The result shows that both elasticity of the spring damper model and vibration affect subjective stiffness. In the result, there are large individualities. Analyses of the result based on velocities and penetrations of tapping suggest that larger velocities and penetrations give more correlations on stiffness of spring model and less correlations on presented vibration.
Geodesic Haptic Device for Surface Rendering
(The Eurographics Association, 2009) Cugini, U.; Bordegoni, Monica; Covarrubias, M.; Antolini, M.; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
This paper describes a haptic device whose aim is to render the contact with a continuous and developable surface by means of the representation of a geodesic trajectory. Some preliminary tests conducted with industrial designers have showed that the trajectories performed while exploring the surface of a style product, for a qualitative evaluation, follows some particular trajectories that may be mathematically described as geodesic curves. In order to represent these particular curves a haptic strip based on a modular servo-controlled mechanism has been developed. Each module of mechanism allows us to control both the curvature and the torsion. This device, in respect to the commercial existing haptic devices, allows a hand-surface contact with the virtual model in real scale without artifacts, by self-deforming its shape in order to conform to the mathematical curve to render. The strip is 900 mm long and has 9 control points for bending and 8 control points for torsion. Due to these characteristics, it allows us to render exploration trajectories of several kinds of product shapes and dimensions. In order to allow users to fully explore an object surface, we have mounted the strip on a platform consisting of two MOOG-FCS HapticMaster devices, which permits 6DOF orientation of the strip and force feedback control. The paper describes the mechanism of the strip and the 6DOF platform starting from the empirical observations of the exploration of surfaces and highlights the problems encountered and the solutions adopted.
Particle Display System - A Large Scale Display for Public Space
(The Eurographics Association, 2009) Sato, Munehiko; Suzuki, Yasuhiro; Hiyama, Atsushi; Tanikawa, Tomohiro; Hirose, Michitaka; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
In this paper, the authors propose a large-scale display for public spaces. The display is based on the particle display system (PDS), which consists of hundreds of randomly distributed pixels. PDSs can be realized with random distributions, unlike traditional displays that require ordered matrices. Effective visual presentation techniques for a display system with randomly distributed pixels are employed to overcome the drawbacks and even realize advantages. The proposed display system can be used in applications in large spaces and public art and architecture facade displays, owing to its features described in this paper. In addition, the authors report the design principle and an implementation of a life-size prototype of a large ceiling display.
3-Hand Manipulation of Virtual Objects
(The Eurographics Association, 2009) Aguerreche, Laurent; Duval, Thierry; Lécuyer, Anatole; Michitaka Hirose and Dieter Schmalstieg and Chadwick A. Wingrave and Kunihiro Nishimura
In this paper we introduce a new 3D interaction technique called '3-Hand Manipulation', for multi-user collaborative manipulation of 3D objects. The 3-Hand Manipulation relies on the use of three manipulation points that can be used simultaneously by three different 'hands' of two or three users. Interestingly, the three translation motions of the manipulation points can fully determine the resulting 6 degrees of freedom motion of the manipulated object. We describe the implementation of the 3-Hand Manipulation, its graphical representations and an illustration of its use by two or three users on an insertion task in immersive virtual environment. This technique could be used in various applications of collaborative VR such as for virtual prototyping, training simulations, assembly and maintenance simulations.

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